Forrest Estate Auction

ID - 404216 - A Mid 19th Century Sheraton style corner display cabinet with lower glass cabinet a later addition and velvet-lined interior

ID - 404217 - Two original art works by Louise Saw, including 'The Seed II' 1986, wood engraving from branch cross-section on kozo paper, editioned A/P, titled and signed 'Louise Saw 86' under print margins 9 x 7.5 cm, Hugo Galleries, Manuka label on verso, and Untitled (tree branches against the sky) 1981, etching, dated June '81 and signed 'Louise' under print margins 18 x 27.5 cm

Dimensions of largest frame

ID - 404218 - A Massive Japanese Decorative Vase, with Floral Openwork Tabs on a Standing Foot, with Scenes of Japanese Courtiers amongst moriage decoration, signed to base, attr. Taisho to Showa period

As Found

ID - 404219 - A Large Flash Cut Green Glass Decanter with Stopper, accompanied by Two Crystal Bowls and Waterford Crystal Coasters, marked to base

Decanter Dimensions:

ID - 404220 - A Stuart Crystal Jug with Pulled Glass Handle

Marked Stuart to base

ID - 404221 - A Large Waterford Crystal Ships' Decanter, with Six Webb Corbett Crystal Glasses

Glasses: 9cm (H)
Decanter: 25cm (H)

ID - 404222 - Seven Stuart Crystal Dessert Bowls

ID - 404223 - A c.1900 Knee-Hole Mahogany Writing Desk, with Red Leather Top and a Long Central Drawer

ID - 404224 - A Vintage Green Leather Desk Writing Pad

As found, well loved & used condition
Approx. 30cm (L) x 25cm (H)

ID - 404225 - Four Victorian English 'Penny' Spindle Back Kitchen Chairs

ID - 404226 - Eleven Flash Cut Crystal Stemmed Glasses

ID - 404227 - Eight Cut Crystal Wine Goblets

ID - 404228 - Eight Cut Crystal Port or Sherry Glasses

ID - 404229 - A c.1800 English Tilt-Top Breakfast Table, made of Spanish Mahogany with centre column terminating in four splayed feet

ID - 404230 - Pamela Challis (1928-2010, Australia/local artist) 'After the Bucketts' 1987, relief print on paper, titled, signed 'Pamela Challis' and dated under print margins, 24.5 x 34.5 cm Challis was a well-known Canberra-based printmaker whose intaglio and relief prints engaged with the interplay between people and the natural environment

Dimensions of frame

ID - 404231 - A Quality Vintage Two-Seater Lounge in pale yellow linen upholstery, down seat cushions and castor base

As found, small tear to skirt

ID - 404232 - Three framed Italian scenes, including Frederick Halpern (b19019, Austria/Australia from 1950s) 'Firenza', etching, editioned 24/25, titled and signed 'Halpern' under print margins 20.5 x 25.5 cm, Hugo Galleries, Manuka label on verso, a vintage lithograph after 'At the Bridge of Sighs, Venice' by Vettore Zanetti-Zilla (1864-1945, Italy), and a montage of four Tuscan scenes, giclee prints on paper, dedictation to one, editioned and signed (indistinct) 2002-2006 under print margins, each image 6 x 6 cm

Dimensions of largest Frame

ID - 404233 - A Pale Green and Yellow Art Glass Vase by Samuel Herman (b.1936 - d.2020), in Bowl Form with Pulled Tendrils swirling to sides with nobbled features, signed to base and numbered SA402, c. 1975-1976

ID - 404234 - An Assortment of Eight Gold Trim and Floral Painted Porcelain Plates, plus a Matched Footed Plate, possibly Minton

Minor wear to trim, each marked to base with a stylised letter and numbered 3148

ID - 404235 - A Vintage Floor Lamp with Metal base and Large Mid-Century Light Shade

ID - 404236 - A c.1840 English Card Table made of Flame Grain Honduras Mahogany, featuring a tapered circular column and acanthus leaf feet

ID - 404237 - Three framed decorative prints, including one after 'Madonna in Adorata' by Fra Filippo Lippi (1406-1469, Florence), one after a Ming Dynesty still life with basket of flowers, and one after a tapestry of orange trees

Dimensions of largest frame

ID - 404238 - Robert Juniper (1929-2012, Australia) abstract diptych 1969, oil on canvas, SLR 'Juniper 69', each image dimensions 120 x 90cm

Juniper is best known for his poetic vision of the Australian landscape, depicted in large abstract canvases, often using an aerial perspective. He won the Wynne Prize for landscape in 1976 and 1980 and his paintings are held in many private and institutional collections

Dimensions of Each Frame

ID - 404239 - A vintage wingback armchair with pastel patterned upholstery and on castor base

ID - 404240 - Jorg Schmeisser (1942-2012, Germany/Australia) 'Looking Back' 1984 from 'Zustande II', colour etching, relief, drypoint, two plates brown, blue/black, editioned 11 of 40: JS 312, SLR, plate dimensions 49 x 37 cm, image dimensions 47.5 x 36.7 cm

Schmeisser has said that change is a constant theme in his practice. He used the analogy of changes happening to the printing plate, and to the way the print changes with repeated layers of printing plates and changes happening to a person, object or place over time. Schmeisser was a master print maker, who combined technical brilliance, rich aesthetics and commitment to conceptual development. He arrived in Australia from Germany via work and study in Japan and Israel, and was an inveterate traveller throughout his career. Examples of his work are held in private and public collections in many countries, including institutions such as the NGA and AGNSW. Editions from this series have been on public exhibition, including 'Jorg Schmeisser Retrospective: Neverending Journeys', Machida City Museum of Graphic Arts, Japan, 2018

Frame Dimensions

ID - 404241 - Jorg Schmeisser (1942-2012, Germany/Australia) 'Torso' 1984 from 'Zustande II', a folio of seven colour etchings, aquatint, two plates ochre/brown, blue/black, editioned 11 of 40: JS 313, SLR, plate dimensions 49 x 37 cm, image dimensions 47.5 x 36.7 cm

Schmeisser has said that change is a constant theme in his practice. He used the analogy of changes happening to the printing plate, and to the way the print changes with repeated layers of printing plates and changes happening to a person, object or place over time. Schmeisser was a master print maker, who combined technical brilliance, rich aesthetics and commitment to conceptual development. He arrived in Australia from Germany via work and study in Japan and Israel, and was an inveterate traveller throughout his career. Examples of his work are held in private and public collections in many countries, including institutions such as the NGA and AGNSW. Editions from this series have been on public exhibition, including 'Jorg Schmeisser Retrospective: Neverending Journeys', Machida City Museum of Graphic Arts, Japan, 2018

Frame Dimensions

ID - 404242 - Jorg Schmeisser (1942-2021, Germany/Australia ) 'Waves' 1984 from 'Zustande II', a folio of seven colour etchings, aquatint and others, three plates orange, red, blue, editioned 11 of 40: JS 308, SLR, plate dimensions 49 x 37 cm, image dimensions 47.5 x 36.7

Schmeisser has said that change is a constant theme in his practice. He used the analogy of changes happening to the printing plate, and to the way the print changes with repeated layers of printing plates and changes happening to a person, object or place over time. Schmeisser was a master print maker, who combined technical brilliance, rich aesthetics and commitment to conceptual development. He arrived in Australia from Germany via work and study in Japan and Israel, and was an inveterate traveller throughout his career. Examples of his work are held in private and public collections in many countries, including institutions such as the NGA and AGNSW. Editions from this series have been on public exhibition, including 'Jorg Schmeisser Retrospective: Neverending Journeys', Machida City Museum of Graphic Arts, Japan, 2018

Frame Dimensions

ID - 404243 - Jorg Schmeisser (1942-2012, Germany/Australia) 'Flammen' 1984 from 'Zustande II', a folio of seven colour etchings, drypoint and aquatint, three plates yellow, red, blue, editioned 11 of 40: JS 311, SLR, plate dimensions 49 x 37 cm, image dimensions 47.5 x 36.7

Schmeisser has said that change is a constant theme in his practice. He used the analogy of changes happening to the printing plate, and to the way the print changes with repeated layers of printing plates and changes happening to a person, object or place over time. Schmeisser was a master print maker, who combined technical brilliance, rich aesthetics and commitment to conceptual development. He arrived in Australia from Germany via work and study in Japan and Israel, and was an inveterate traveller throughout his career. Examples of his work are held in private and public collections in many countries, including institutions such as the NGA and AGNSW. Editions from this series have been on public exhibition, including 'Jorg Schmeisser Retrospective: Neverending Journeys', Machida City Museum of Graphic Arts, Japan, 2018

Frame Dimensions

ID - 404244 - Jorg Schmeisser (1942-2012, Germany/Australia) 'Momijigari' 1984 from 'Zustande II', a folio of seven colour etchings, aquatint and drypoint, two plates brown, blue/black, editioned 11 of 40: JS 309, SLR, plate dimensions 49 x 37 cm, image dimensions 47.5 x 36.7 cm

Schmeisser has said that change is a constant theme in his practice. He used the analogy of changes happening to the printing plate, and to the way the print changes with repeated layers of printing plates and changes happening to a person, object or place over time. Schmeisser was a master print maker, who combined technical brilliance, rich aesthetics and commitment to conceptual development. He arrived in Australia from Germany via work and study in Japan and Israel, and was an inveterate traveller throughout his career. Examples of his work are held in private and public collections in many countries, including institutions such as the NGA and AGNSW. Editions from this series have been on public exhibition, including 'Jorg Schmeisser Retrospective: Neverending Journeys', Machida City Museum of Graphic Arts, Japan, 2018

Frame Dimensions

ID - 404245 - Jorg Schmeisser (1942-2012, Germany/Australia) 'Y' 1984 from 'Zustande II', a folio of seven colour etchings, aquatint and others, three plates yellow, red, blue, editioned 11 of 40: JS310, SLR, plate dimensions 49 x 37 cm, image dimensions 47.5 x 36.7 cm

Schmeisser has said that change is a constant theme in his practice. He used the analogy of changes happening to the printing plate, and to the way the print changes with repeated layers of printing plates and changes happening to a person, object or place over time. Schmeisser was a master print maker, who combined technical brilliance, rich aesthetics and commitment to conceptual development. He arrived in Australia from Germany via work and study in Japan and Israel, and was an inveterate traveller throughout his career. Examples of his work are held in private and public collections in many countries, including institutions such as the NGA and AGNSW. Editions from this series have been on public exhibition, including 'Jorg Schmeisser Retrospective: Neverending Journeys', Machida City Museum of Graphic Arts, Japan, 2018

Frame Dimensions

ID - 404246 - A Quality Vintage Two Seater Lounge in Pale Blue Velvet Upholstery, Down Seat Cushions, and castor wheeled base

ID - 404247 - A Pair of G. Lewis & Co. (England) EPNS Covered Serving Dishes

As Found, marked to base, with some soldered style repairs and resilvering apparent
Dimensions Each:

ID - 404248 - A Large Assortment of Silverplate Spoons and Seafood Cocktail Forks, including Hardy Bros., some in presentation boxes

Longest:

ID - 404249 - A Large Silverplate Elkington & Co. (England) Serving Cloche or Meat Cover, attr. circa 1891, with beaded rim and impressed no. 17862

As Found

ID - 404250 - A James Deakin & Sons (Sheffield) Silverplate Teapot, marked to base

As Found

ID - 404251 - Three Pieces of Beautiful Charles William Fletcher (Sheffield) Silverplate Servingware, including a Cake/Bread Server, Large Fork and Large Spoon, in fitted presentation box

Longest:

ID - 404252 - An Excellent Hardy Bros. (England) Cruet Set with Glass Inserts and Fitted Box

Tallest:

ID - 404253 - A Large Assortment of King's Pattern Silver & Silverplate Cutlery, from a variety of makers, including:

Six Henry John Lias & Henry John Lias (London) c.1845 Silver Teaspoons, approx. 140g
Twelve 'MTR' Twin Crown Spoons
Six George Aldwinckle (London) c.1840s Spoons, approx. 360g
Six George Aldwinckle (London) c.1840s Dinner Forks, approx. 613g
Nine 'MTR' Twin Crown Teaspoons
Five Joseph II & Albert Savory (London) c.1840s Teaspoons, approx. 216g
Six 'MTR' Twin Crown Large Spoons
Nine 'MTR' Twin Crown Forks
Six George Aldwinckle (London) Entree Forks, est. c.1840s, approx. 380g
Twelve 'MTR' Twin Crown Dinner Forks

Total Silver Weight approx. 1,709g
Total Pieces approx. 77
Longest:

ID - 404254 - A Large Selection of Matched Pattern Spoons in Presentation Box, primarily Hardy Bros., plus a selection of spare Hardy Bros. Cutlery Pieces

ID - 404255 - A Stunning Hardy Bros. Timber Canteen, with a large assortment of pieces, with a standing cabriole legged case

ID - 404256 - Two architectural depictions, including a 19th Cent. English School engraving 'Gateway in the Third Court of St John's', an illustration from 'Cambridge' by J W Clark (publisher Seeley Jackson & Halliday, 1881), print dealer's label and certification on verso, image margins 12.8 x 5.3 cm, and 'Veduta di Norbino' 1967, relief print with handcoloured edge on paper, SLR (indistinct) image margins 13.3 x 8.3 cm

Dimensions of largest frame

ID - 404257 - A Mid 19th Century English Burr Walnut Pedestal Table with three splayed carved supports

ID - 404258 - A c.1835 Dutch Bureau Bookcase, made of Flame Honduras Mahogany with a fall-front drawer desk lined with satinwood

ID - 404259 - Two original art works, including Emilie Tomanova (1933-1994, Czech Republic) Untitled (midnight garden), etching, drypoint and aquatint, handcoloured, editioned 48/200 and signed 'E Tomanova' under print margins 9 x 11.3 cm, Dilo Gallery label on verso, and Daniela Benesova (b1929, Czech Republic) Untitled (colourful abstract landscape) 1988, colour lithograph, editioned 46/150 and signed 'D Benesova 88' under print margins 10.5, 12.3 cm

Dimensions of largest frame

ID - 404260 - A Mid 19th Century English Grandfather Chair, made of Italian Walnut with carved scroll motif to arm supports

ID - 404261 - Artist Unknown 'Summer Heat - Jaipur' 1990, seriegraph on paper, editioned 5/10, titled and signed (indistinct) under print margins, 37 x 25.8 cm, dimensions of frame

ID - 404262 - A framed vintage museum exhibition poster featuring Joan Miro (1893-1983, Spain) 'Femme, Oiseau, Etoile' 1970, April 3-8 1973, Museo Reina Sofia, Madrid, image size 30.5 x 21.5 cm

Dimensions of frame

ID - 404263 - Two original art works, including Victoria Clutterbuck (b1952, England/Australia/local artist) 'The fishpond' 1986, handcoloured etching, editioned 4/10, titled and signed 'V Clutterbuck 86' under plate margins 14.3 x 10.4 cm, and Michio Nakamura (b 1950, Japanese) 'Shosen', mixed media on Japanese paper, SLR 'Michio' over red seal stamp, image size 16 x 20 cm, biographic information on verso

Dimensions of largest frame

ID - 404264 - A Vintage Cast metal Brass Wall Shelf with scrolling leaf design
approx

ID - 404265 - A Collection of Trinket Dishes, including Alfred Meakin, Royal Doulton, Royal Worcester, with a Minton Lidded Pot and a Royal Doulton 'Marbella' Cup

Tallest:

ID - 404266 - A Collection of Coalport and Wedgwood Pieces including a Creamer Jug and Sugar Pot

Tallest:

ID - 404267 - A Six Piece Aynsley 7805 Demitasse Duo Set

As Found
Saucer:

ID - 404268 - Two Large Tureens, including an Antique French Faience Polychrome Butterflies & Flowers Lidded Tureen, and a Large Brown Pottery Tureen

Larger (Brown):

ID - 404269 - A Blue Fowler No.2 Crock Pot

Factory fault on the lid

ID - 404270 - An Australian Colonial Cedar Chiffonier with a carved backboard and half bobbin turned columns

as found, wear consistent with age and use

ID - 404271 - Lawrence Daws (b1927, Australia) Untitled (abstract landscape), mixed media on canvasboard, SLR 'Daws', image size 17.5 x 21.5 cm, accompanied by an abstract landscape, watercolour on paper, SLR 'LS 86', image size 25 x 38.5 cm

Daws is an established Australian landscape painter whose abstract paintings explore both physical landscapes and the unconscious landscape of the mind

Dimensions of largest frame

ID - 404272 - Three Quality Pieces of Antique Rockingham Style Porcelain Plates, including two rectangular tabbed dishes and a circular one, with emerald green base and gilt details with flowers and birds

As Found, one with repaired crack to body
Largest:

ID - 404273 - Twelve Pieces of Shelley 'Dainty White' Porcelain, including a Mug, Sugar Bowl, and Teapot

Largest (Teapot):

ID - 404274 - Four Pieces of Glassware, including two Quality Patterned Bowls and an Italian Green Glass Dolphin, attributed to Fratelli Toso, with gold detail

As Found, fin on dolphin separated from body
Largest Bowl:

ID - 404275 - Two Beautiful Shell Form Ceramic Pieces, including a Lobed Royal Worcester Bowl, and a Coalport Shell, both in cream tones

ID - 404276 - An Eleven Piece Poole Pottery (England) Twintone 'Ice Green & Seagull' (Lavender Grey & Teal) Tea Set

ID - 404277 - A Large Pottery Jug with a butterfly amongst Branches, attr. French, unmarked to base

ID - 404278 - A Beautiful Blue & White Teapot, marked to base for Heinz Schaubach, c. 1940-1958, with beautiful rose finial and lightly relief moulded patterned surface, in the style and form of Meissen

ID - 404279 - A Pair of Fine Vases, including a Derby Vase in Cream with Applied Surface Flowers, marked with 'King Street' Period S & H mark, circa 1860s-1870s, accompanied by a Royal Copenhagen (Denmark) 1138/2289 'Seagulls in Flight' Vase

Tallest:

ID - 404280 - An 18th Century Pair of Chinese Qianlong Export Porcelain, with Chinese decoration for the European market, including an enamelled saucer with roses and a sepia border and a tea cup with small roses and a purple inner rim trim

As Found
Saucer:

ID - 404281 - A Beautiful John Ridgway & Co. (Stoke-on-Trent) Plate, c.1830s, featuring pale green and gold trim with delicate flowers

Minor wear to gilding

ID - 404282 - Four Beautiful Hand Painted Plates, including an Antique Royal Worcester Botanical Plate with turquoise and gold trim, and three other plates with floral motifs

Largest:

ID - 404283 - Three Reticulated Plates with Openwork Rims, including a matched pair and an unusually bright polychrome flower plate with pierced sides, attr. to Schumann (Bavaria) in 'Chateau' style

Largest:

ID - 404284 - A Large Assortment of Vintage and Porcelain and China Cups and Saucers, including Rosenthal, Paragon, Foley, Royal Crown Derby, and Bisto

All as Found
Largest Saucer

ID - 404285 - Artist Unknown, Untitled (a colourful painting of tropical birds amongst jungle foliage), pigment on woven support, SLR IK Tardana, Kutuh, Ubud, carved timber frame with coloured wash, image size 58.5 x 44.5 cm

Frame Dimensions

ID - 404286 - A 19th Century Mahogany Carver Chair with scrolled arms and carved back splat

ID - 404287 - Four Mid 19th Century Brazilian Rosewood Balloon Back Drawing-Room Chairs, with carved scroll back splat

ID - 404288 - A Large Minton (England) 'Lady Devonish' Dinner Service in pale cream and gold, approx. 74 pieces, including:

Twelve Soup Coupes
Eleven Coupe Saucers
Two Serving Platters, one large and one medium
A Small Bowl
Twelve Saucers
Twelve Bowls
Twelve Entree Plates
Twelve Dinner Plates

All as found
Largest:

ID - 404289 - A Collection of Twelve Minton (England) 'Tapestry' Trios and a Sugar Bowl, c.1957

All as found

ID - 404290 - A French Second Empire Gilded Beechwood Chauffeuse Chair

ID - 404291 - A William IV Two-Piece Bookcase, made of Flame Grain Honduras Mahogany, with Rococo Scrolling & Leaf Motif to arched pediment c.1835

ID - 404292 - A Fine pair of Early 19th Century Mahogany Carver Chairs with scrolled arms

ID - 404293 - Artist Unknown, Untitled (a bold depiction of the tree of life), wax resist and dyes on stretched woven support, unsigned, unframed, in excellent condition

ID - 404294 - A Vintage Minolta Maxxum 7000 Camera with Lenses, Flashes, Cases, manuals, and other accessories

As found, untested, appears in very good condition

ID - 404295 - Alfred Ernest Edward Warner (1879-1968, Australia) 'Moving Out', etching on paper, editioned 72/75, titled and signed 'AE Warner' under plate margins 9.3 x 22.8 cm

Warner trained as an engraver before travelling to Australia, where he established a commercial art and printing studio. He is best known as a painter and etcher of scenes of Australian rural life. Most of his etchings pre-date the late 1930s.

Frame Dimensions

ID - 404296 - Dubrow, possibly Walter (active Canberra, mid-20th century) Untitled (the paddocks in summer) 1957, oil on masonite, SLR 'Dubrow 57', image size 39.7 x 53.4 cm

As Found, light stains to frame

Dimensions of frame

ID - 404297 - An early 20th century mountainous landscape with sailboat on lake, oil on board, SLR (indistinct, possibly 'Garden'), image size 14 x 49.5 cm As Found, minor irregularity lower left under painted surface, minor scrape to frame

Dimensions of frame

ID - 404298 - Four Mid 19th Century Italian Walnut Balloon Back Drawing-Room Chairs, with carved scroll back splat

ID - 404299 - A Pair of c.1840/50 English Drawing-Room Chairs, made of Brazilian Rosewood

ID - 404300 - A Mid 19th Century English Credenza made of Brazilian Rosewood, serpentine shaped top and base with two panel doors

ID - 404301 - An Assortment of Hand Painted Plates featuring an array of Birds amongst Branches in Pinks and Reds, including two Footed Pedestal Dishes, attr. Japanese

All as found
Footed Dishes:

ID - 404302 - Two antique hand-coloured botanical engravings of oranges from 'Hesperides Nurnbergische' published c early 1700s by Johann Christoph Volckamer (1644-1720), plates 399 and 405, engraver Cornelis Blochiart (1603-1692), Hugo Galleries, Manuka label and publication information inscribed on verso, plate margins 27 x 18.5 cm

Dimensions each frame

ID - 404303 - A Vintage Royal Doulton 'Treasure Island' D6376 Long John Silver Charger Plate

ID - 404304 - A Mid-Century Blanc de Chine Guanyin Table Lamp with a large teal shade

As found, figure loose from the base
Plugged in, powered up, no further testing

ID - 404305 - A Vintage Tub Chair with a Shell-Shaped Back

ID - 404306 - A Vintage Solid Mountain Ash Timber side table with carved features, signed by the maker on the underside

ID - 404307 - Four small paintings, including 'Chaffinch' and 'Greenfinch', oil on board, SLR 'Frances Jones', a depiction of a lily pond after Monet, oil on canvas, unsigned, and an Australian landscape, SLL 'M. Wensing 83', oil on canvasboard, Dimensions of largest frame

ID - 404308 - A Vintage Homewares Lot. including a small timber stool, folding clothes airer and small wall hook

Stool measured

ID - 404309 - A Black Gooseneck Floor Lamp, and a Small Desk Lamp

Both plugged in, powered up, no further testing

ID - 404310 - A Retro Brown and Chrome Adjustable Floor Lamp

Plugged in, powered up, no further testing

ID - 404311 - Two vintage prints after European paintings including 'Behind the Schenkweg' by Vincent van Gogh (1853-1890, Netherlands), image size 39.5 x 49.5 cm and 'Wildboden im Schnee' by Ernst Ludwig Kirchner (1880-1938, Germany), image size 30 x 33 cm

Dimensions of largest frame

ID - 404312 - A Quality Natuzzi Italian Black Leather Two-Seater Lounge

As found, in used condition

ID - 404313 - Four framed botanical illustrations, including a fine art print illustration of 'Rainforest', a poem by Judith Wright, a print after 'Hope's Cycad' by William T Cooper (1934-2015, Australia) and two studies of English wildflowers, one signed As Found, minor scrapes to edge of one frame

Dimensions of largest frame

ID - 404314 - Three framed depictions of women in traditional dress, including an early Showa-era Japanese woodblock print (c1935), image size 13.3 x 8.4 cm

Dimensions of largest frame

ID - 404315 - Moya Dyring (1908-1967, Australia ) Untitled (view to the top of the hill), ink and wash on paper 1953, SLL 'Moya Dyring 53', image size 31.5 x 35 cm

Dyring, part of the circle surrounding John and Sunday Reed at Heide, was also an inveterate traveller. Her approach to landscapes, portraits and other subjects was influenced by Cubism and Modernism more generally. Based for many years in France, she became known for capturing scenes of provincial life and landscapes. An apartment for visiting artists was established in her memory in Paris;

Dimensions of frame