Fine Art, sculpture & reference books

ID - 355951 - Ninon Geier (1923-2015 Switzerland/Australia) 'Charles Manning Hope Clark 1915-1991' c1985, Painted Plaster Bust on Timber Base, Number Three of an Edition of Three. AF - Small Crack to Bust Lower Centre. The Final Version, in Bronze, is in the Collection of the Australian National University, where Manning Clarke is Professor of History and Published the 'History of Australia'. The Second, Bust, also of Plaster, Forms Part of the Collections of Manning Clarke House, in Forrest.

ID - 355952 - L Roger-Miles 'Atelier Rosa Bonheur. Tome II, Aquarelles & Designs: Catalogue Analytique' 1900 (Published by George Petit: Paris). A Catalogue of Engravings by Illustrator Rosa Bonheur (1822-1899, France), Bound in Red Leather (H: 35.5 cm W: 28 cm D: 4.5 cm).

ID - 355953 - A Two Colour Etching 'Kris Tajong', Signed, Titled and Editioned 64/250 Under Plate Margin (Plate H: 15 cm W: 9.5 cm; Frame H: 27.5 cm W: 22.5 cm).

ID - 355954 - Michael Taylor (1950, Australia) 'Untitled' (Landscape of Fields and Bushland), Oil on Board, SLR, Image Size 28 x 14 cm. Frame Dimensions

ID - 355955 - Sydney Ure Smith (1887-1949, Australia) 'Windsor Barn' c1920s, Etching, Signed, Titled and Editioned 9/30 under Plate Margin (Plate H: 16.5 cm W: 14.5 cm Frame H: 37.5 cm W: 34.5 cm). Smith was an artist, publisher and art promoter whose etchings are in public collections such as the AGNSW.

ID - 355956 - Jane Deerson (Australia) 'The Ski Trail, Thredbo' Watercolour on Paper, SLR. Frame

ID - 355957 - 'Lindeman Island', 1971 Intaglio Print on Coloured Paper, Signed (indistinct) and Editioned 5/35 under Plate Margin. Plate 21 x 26 cm, Frame

ID - 355958 - C Beusekom (Australia) 'Untitled' ( a Mountainous Landscape with Red Cliffs), Oil on Canvas

ID - 355959 - Pat Vaughan Flood (1919-2017, UK/Australia) 'Mountains' (Kathmandu Nepal) 1983, Mixed Media on Paper, SLL. AF - Small Hole (2 mm) in Perspex, LHS. A Longstanding Canberra-Based Artist, in 1990/91 the ANU Drill Hall Gallery Curated a Retrospective of Flood's Paintings (1964-1990). Frame

ID - 355960 - Nyunt 'Rice Planting Burma', Watercolour on Paper, SLR. Frame

ID - 355961 - A Landscape Scene of a Field of Crosses Beside a Town, Titled on Verso 'Dodoyne Village France', Oil on Wood, SLR (indistinct) Attrib to Margaret Fleming.

ID - 355962 - Ray Barnett (Australia) 'Church of San Rocco, Venice' 1993, Pencil and Watercolour Wash on Paper

ID - 355963 - A Vintage Impressionist-style Sketch of a Woman Dancing, Mixed Media on Paper, SLR (indistinct), Paper Edges 35 x 24 cm. Frame

ID - 355964 - Pat Vaughan Flood (1919-2017, UK/Australia) 'The Day Ends' 1997, Mixed Media on Paper, SLR. A Longterm Canberra-Based Artist, in 1990/1991 the ANU Drill Hall Gallery Curated a Retrospective of Flood's Paintings (1964-90). Frame

ID - 355965 - Pamela Griffith (1943, Australia) 'Barramundi Encounter' 1998, Hardground-etching and Aquatint, Printed in Colour a La Poup��e from One Copper Plate with Additional Hand-tinting. Hardground-etching and Aquatint, Printed in Colour a La Poup��e, from One Copper Plate; Additional Hand-tinting (Frame H: 86 cm W: 86 cm).

ID - 355966 - Heather Beresford (Australia) 'Sunday at Botany Bay', Serigraph/Screenprint on Paper, Signed and Editioned 2/13 under Print Margin. Print Margin 32 x 41 cm. This Delightful Work Captures the Mood of a Sunny Day at the Beach. The Colour Palette and Simple Shapes also Recall Vintage Travel Posters and Their Idealised Narratives of Life by the Beach. Frame

ID - 355967 - The Girl', Ink and Wash on Paper, Attributed to Joy Peck (1932-2008 Australia).

ID - 355968 - Artist Unknown (Warrior) Mixed Media on Paper. Unframed. An Armed Figure Emerges from Layers of Colour and Expressive Mark-making, Defined in Places by White Pastel.

ID - 355969 - Christopher O'Rourke (Australia) 'Tunnel', Oil with Impasto on Board.

ID - 355970 - A Mid-century Abstract Landscape Painting, Oil with Impasto on Canvas, SLL (indistinct)

ID - 355971 - Johannes Hansch (1875-1945, Germany) 'Starker Nebel Locknitz' (the River Locknitz in Heavy Fog) 1930, Oil on Canvas, SLL, (Canvas H: 60.5 cm W:80.5 cm; Frame H: 77.5 cm W: 97 cm).

ID - 355972 - Pam Lethlean (20th Century, Australia), 'St Vincent's Place South Melbourne' Oil on Canvas, Beautifully Framed. SLL Lethlean (Frame H: 65 cm W: 800 cm). Lethlean is known for colourful, engaging streetscapes of cities such as Melbourne and Paris. This work, of a quiet stretch of St Vincent's Place in South Melbourne, is typical of her approach.

ID - 355973 - Ken Strong (contemporary Australia) 'A Showery Leftover' 1998, Oil on Board, SLL. Strong is Known for Landscape Paintings and Bold Colour. Typical of His Style, This Work is Abstract at First Glance, then Strong Contrasts of Colour and Tone Draw the Eye From the Edge of the Frame to a Figure and Built Structures at the Centre of the Painting. Frame Dimensions

ID - 355974 - An Antique Depiction of A Lion Drinking at a Waterhole at Dusk, Etching after the Style of Herbert Thomas Dicksee (Frame H: 53 cm W: 64 cm).

ID - 355975 - Margaret Preston (1875-1963, Australia), A Series of Wood Block Prints Illustrating Preston's Article 'The Indigenous Art of Australia', Published in Art and Australia, March 1925. Total Eleven Images on Nive Leaves. Accompanied by Two other Leaves from the same Issue.

ID - 355976 - H. Tatlock Miller (1913-1989, Australia), Editor, 'Manuscripts: A Miscellany of Art and Letters' (1933). Loose Pages from Numbers 4, 5, and 7, Featuring Woodblock Illustrations and Advertising by Local Artists, Together with Poems and Prose.

ID - 355977 - S. Sokolowski (active Mid-20th Century) 'The Astronaught', Oil on Canvasboard, SLR. Frame

ID - 355978 - Gerard D'alton Henderson (1928-2014, Malaysia/Hong Kong/Philippines) 'Untitled' (Three Horsemen), Serigraph/Screenprint on Paper, Signed and Editioned 33/99 under Print Margin. Paper Edge 76 x 54.5 cm. Frame

ID - 355979 - A Framed Original John Colin Angus (Australian, b. 1907 - d. 2002) Painting, 'Late Afternoon, El Dorado, Victoria', with Heavy Impasto Oil on Board (W: 81cm x H: 72cm) Artist's Paper Label & Gallery Label to Back

ID - 355980 - Judy McConchie ( 1938-2005, Australia) 'At Dusk on the Queanbeyan River' Pastels on Canvas. A Local Landscape Including the Historic O'Neil's Cottage, Trinculo (frame H; 69.5 cm W: 80 cm). O'Neil's Cottage has been the premises of the Queanbeyan Art Society since the early 1980s. McConchie was a Local Artist Known for Working in Pastels. McConchie Circuit in Weston is Named in Recognition of Her Contribution to Canberra as Artist and Educator.

ID - 355981 - Giuseppe Gambogi (1862-1938) Art Deco Ballerina Sculpture

Made of Alabaster this Ballerina Sits with her Legs Outstretched with her Skirt Draped over a Chair. Excellent Detail can be Found in her Delicate Facial Features and Gathered Skirt.
Artist Signature on Reverse of Chair, Also Marked Made in Italy

as Found, Chips, and Repairs Throughout