Australian & International Fine Art (Section 1)

ID - 461168 - Kevin Charles 'Pro' Hart (1928-2006, Australian) 'The B. I. C. Man', etching with burnished aquatint, unsigned, vendor-supplied certificate of authenticity signed in by publisher Robert Littlewood to verso

Dimensions of frame

ID - 461169 - Robert (Bob) Baker (1937-2018, English/Australian) 'Untitled 11' c2000-2010, unframed

Provenance: the artist's estate, conservator's report attached to verso

Originally trained in the UK, Bodalla-based Baker was inspired by scientific theories, particularly in physics. His later paintings are abstract in style, arriving from thinking about the tensions between observation and imagination, light and colour, materiality and representation. This work is a rare example of Baker's use of layered sheets of perspex, resulting in a work which blends painting and sculpture to create an engaging experience for the viewer. Baker was the youngest artist admitted to the British Arts Society, and moved to Australia in 1972, where he was a finalist in the Wynne Art Prize in multiple years.

ID - 461170 - Robert (Bob) Baker (1937-2018, English/Australian) 'Stainless Steel' 2007, oil on board, unframed

Part of the 'Pandora's Box' series, included in the exhibition 'The Journey Continues' at Gallery Bodalla 2007

Provenance: the artist's estate

Originally trained in the UK, Bodalla-based Baker was inspired by scientific theories, particularly in physics. His later paintings are abstract in style, arriving from thinking about the tensions between observation and imagination, light and colour, materiality and representation. This work is a rare example of Baker's use of layered sheets of perspex, resulting in a work which blends painting and sculpture to create an engaging experience for the viewer. Baker was the youngest artist admitted to the British Arts Society, and moved to Australia in 1972, where he was a finalist in the Wynne Art Prize in multiple years.

ID - 461171 - Robert King Crawford (1927-2018, Australian) 'The Fisherman' 1988, small oil on canvasboard, signed R King Crawford, artist label with title, date and artist signature to verso

ID - 461172 - Four beautiful Omiyo Masuda (Japanese, 20th century) limited edition silkscreen prints, including early numbers 27/200, 16/200, 29/200, and 12/200, accompanied by a copy of her CV

All in excellent condition, ready for framing, signed and numbered to lower margin, largest:

ID - 461173 - Seven Tomihari Hiroshi (Japanese, b.1936) monochrome floral woodblock prints, including 'Popi (Poppy)', 'Himawari (Sunflower)', 'Kikyo (Platycodon)', 'Shikuramen (Cyclamen)', 'Katakuri (Fawnlily)', 'Kosumosu (Cosmos)', and 'Sakurasoh (Primrose)', all numbered 34/120, c.1993

All in very good condition, small crease to margins of Poppy
Each approx.:

ID - 461174 - A striking Shinichi Fuji (Japanese, 20th century) abstract lithograph, titled 'Kairyu', translated as 'Ocean Current' or whirlpool, signed artist proof and titled to lower margin, accompanied by a copy of the artist's CV

29.5cm (L) x 30cm (W)

ID - 461175 - Pablo Picasso (1881-1973, Spanish) 'Seated old man', limited edition reproduction gicl��e print after original painting, editioned 22/500 in pencil under print margin, Collection Domaine Picasso in pencil LR, embossed stamp LL, unframed

Dimensions of paper

ID - 461176 - Pablo Picasso (1881-1973, Spanish) 'Woman with a Flower', limited edition reproduction gicl��e print after original painting, editioned 276/500 in pencil under print margin, Collection Domaine Picasso in pencil LR, embossed stamp LL, unframed

Dimensions of paper

ID - 461177 - Pablo Picasso (1881-1973, Spanish) 'Portrait of Marie-Th��r��se Walter', limited edition reproduction gicl��e print after original painting, editioned 374/500 in pencil under print margin, Collection Domaine Picasso in pencil LR, embossed stamp LL, unframed

Dimensions of paper

ID - 461178 - Pablo Picasso (1881-1973, Spanish) 'Reclining Nude', limited edition reproduction gicl��e print after original painting, editioned 446/500 in pencil under print margin, Collection Domaine Picasso in pencil LR, embossed stamp LL, unframed

Dimensions of paper

ID - 461179 - Pablo Picasso (1881-1973, Spanish) 'Seated Woman', limited edition reproduction gicl��e print after original painting, editioned 268/500 in pencil under print margin, Collection Domaine Picasso in pencil LR, embossed stamp LL, unframed

Dimensions of paper

ID - 461180 - Clifton Thomas Almont (Clif) Peir (1905-1985, Australian) 'Summer Day at Heavitree Gap, NT' c1960s, oil on masonite, SLL 'Clif Peir', artist name and title of work to verso on labels

Peir trained at the Julian Ashton School in Sydney and became known for landscape painting and portraiture. He was a finalist in the 1934 Archibald Prize for a portrait of his mother, 'Mrs Percy Peir', and won the 1965 prize for his portrait of poet and activist Oodgeroo Noonuccal, also known as Kath Walker (1920-1993)

Dimensions of frame

ID - 461181 - Robyn Cocks (active early 21st century, Australian) 'The Dreamer', pastel on paper, SLL 'Robyn Cocks', Steven Print Gallery Richmond label to verso, artist name and title inscribed to label

Dimensions of frame

ID - 461182 - Frances Duffy (1927-1996, Australian) 'Self-portrait in Red', oil on canvasboard, SLL 'Frances Duffy', title inscribed to verso

A student of William Dargie, and influenced by Max Meldrum's tonal approach, Duffy's practice included portraits, landscapes and still life. She exhibited regularly from the age of 16, winning praise from critics for her sensitive treatment of subject and medium

Dimensions of frame

ID - 461183 - Frances Duffy (1927-1996, Australian) 'The Straw Hat', oil on canvasboard, SLL 'Frances Duffy', title inscribed to verso

A student of William Dargie, and influenced by Max Meldrum's tonal approach, Duffy's practice included portraits, landscapes and still life. She exhibited regularly from the age of 16, winning praise from critics for her sensitive treatment of subject and medium

Dimensions of frame

ID - 461184 - Lynette Nampijinpa Granites (b c1945-50, Warlpiri language group, Yuendumu region) 'Pamapardu Jukurrpa (Flying Ant Dreaming) at Wantungurru', synthetic polymer on canvasboard, unsigned, Warlukurlangu Artists art centre, Yuendumu stamp, catalogue number B371/90, and notes on symbols to verso

Dimensions of frame

ID - 461185 - John Charles Goodchild (1898-1980, British/Australian) 'Westminster Abbey', watercolour on paper, titled and signed in ink LL 'John C Goodchild'

Dimensions of frame

ID - 461186 - Artist Unknown, impressionist style landscape with barn and trees in bloom, oil on board, no visible signature

Dimensions of frame

ID - 461187 - Luigi Kasimir (1881-1962, Austro-Hungarian/American) 'New York, Brooklyn Bridge, #1', etching �� la poup��e, with aquatint, signed by the estate of Luigi Kasimir under plate margins

Dimensions of frame

ID - 461188 - Frances Duffy (1927-1996, Australian), flowers in a blue jug, oil on canvasboard, SLR 'Frances Duffy', title, media inscribed to verso

Dimensions of frame

ID - 461189 - Paul Roux (c1840-1918, French) 'pres Camaret - Finist��re' (near Camaret-sur-Mer, Finist��re) early 20th century, oil on board, SLR 'Paul Roux' and titled under signature

As Found, small old label attached to surface near signature, picture loose in frame, cleaning recommended, small scrape to surface top left corner, light marks including signs of mould, small chips to frame

Dimensions of frame

ID - 461190 - Frances Duffy (1927-1996, Australian) 'The Pink Chain', oil on canvasboard, SLL 'Frances Duffy', title inscribed to verso

A student of William Dargie, and influenced by Max Meldrum's tonal approach, Duffy's practice included portraits, landscapes and still life. She exhibited regularly from the age of 16, winning praise from critics for her sensitive treatment of subject and medium

Dimensions of frame

ID - 461191 - Bertram Bryning (1875-1960, Australian) 'Cowes, Phillip Island', oil on board, SLL 'Bertram Bryning', title inscribed to verso, black and white vintage photograph of the same scene to verso, Katrina Galleries, Bentleigh Vic, to verso

Bryning studied under Tom Roberts, as well as the tonalist Max Meldrum. His portrait of Frank Cornish was a finalist in the 1945 Archibald Prize

Dimensions of frame

ID - 461192 - Frances Duffy (1927-1996, Australian) The Visitor', oil on canvasboard, SLL 'Frances Duffy', title, media inscribed to verso

Dimensions of frame

ID - 461193 - Robert 'King' Crawford (1929-2018, Australian) 'In Defeat we Celebrate' or 'The Three Great Defeats in Victory', synthetic polymer on canvasboard, SLR 'R King-Crawford', artist signature, date, title inscribed to verso, unframed

ID - 461194 - Glen Holland (d2016, Australian) 'Number IV Warm', mixed media on board, unsigned, unframed, ready to hang, title inscribed TLC

Provenance: from the estate of the Goulburn-based artist

ID - 461195 - Glen Holland (d2016, Australian) 'Number III Cool', mixed media on board, unsigned, unframed, ready to hang, titled inscribed TLC

Provenance: from the estate of the Goulburn-based artist

ID - 461196 - Kevin Charles 'Pro' Hart (1928-2006, Australian) 'Two Faces of a Miner', reproduction print after an earlier artwork, signature to verso 'Robert Littlewood', attributed to publisher Robert Littlewood, of Littlewood Press, Melbourne

Dimensions of frame

ID - 461197 - Artist Unknown 'Sydney, view from Darling Point', serigraph on paper, no visible signature, title around print margins

Dimensions of frame

ID - 461198 - Artist Unknown, a celebration scene, featuring a man dancing on a table while musicians play in the background, fine art lithograph on paper, titled and signed under margins (indistinct), possibly mid-century

Dimensions of frame

ID - 461199 - Leon Pericles (b 1949, Australian) and Cara Harleem, 'Who would have thought ... ?', mixed media collage, including found objects, on card, titled, numbered, and signed below with ACS/99, an extensive and humorous certificate from 'University of Widjimorphup School of Human Aesthetics', a fictional town of Pericles' making, to verso

ID - 461200 - Patti Holden (b1926-2015, Australian) 'Transcending Monarch', hand coloured photogravure etching, editioned 1/20, titled and signed 'Patti Holden' in pencil under plate margins 55.3 x 23.7 cm, likely printed at Megalo Printworks, Canberra

Dimensions of frame

ID - 461201 - Artist Unknown, a depiction of St Kilda Esplanade with tram, watercolour on paper, SLR 'Peter Smith '91', in perspex clip frame

ID - 461202 - Kevin Charles 'Pro' Hart (1928-2006, Australian) 'Yabbie', hand-coloured etching, unsigned, vendor-supplied certificate of authenticity signed in print by publisher Robert Littlewood to verso

Dimensions of frame

ID - 461203 - Frances Duffy (1927-1996, Australian) portrait of a woman in green and yellow, oil on canvasboard, SLR 'Frances Duffy'

Dimensions of frame

ID - 461204 - Robert King Crawford (1927-2018, Australian) 'The Cool One' 1996, oil on canvasboard, SLR 'R King Crawford', title and artist name inscribed to verso

Dimensions of frame

ID - 461205 - Robert (Bob) Baker (1937-2018, English/Australian) 'Philodendron (3D)' 1985-1986, oil on layered perspex, artist name, title and date inscribed on frame to verso

Provenance: the artist's estate

Originally trained in the UK, Bodalla-based Baker was inspired by scientific theories, particularly in physics. His later paintings are abstract in style, arriving from thinking about the tensions between observation and imagination, light and colour, materiality and representation. This work is a rare example of Baker's use of layered sheets of perspex, resulting in a work which blends painting and sculpture to create an engaging experience for the viewer. Baker was the youngest artist admitted to the British Arts Society, and moved to Australia in 1972, where he was a finalist in the Wynne Art Prize in multiple years.

Dimensions of frame

ID - 461206 - Robert (Bob) Baker (1937-2018, English/Australian) 'Homage to Isaac Newton II' 2017, oil on board, unframed

Provenance: the artist's estate

Originally trained in the UK, Bodalla-based Baker was inspired by scientific theories, particularly in physics. His later paintings are abstract in style, arriving from thinking about the tensions between observation and imagination, light and colour, materiality and representation. This work is a rare example of Baker's use of layered sheets of perspex, resulting in a work which blends painting and sculpture to create an engaging experience for the viewer. Baker was the youngest artist admitted to the British Arts Society, and moved to Australia in 1972, where he was a finalist in the Wynne Art Prize in multiple years.